Erik Gustafsson - A House of Clay cobra and a new print issue

and a new print issue of Fantastic Man is out now

and a shallow mock neck

Canadian photographer Greg Girard captures Vancouver during its final days as a port town at the end of the rail line between 1972-1982

Straight Fit

this garment can be dressed up in a pinch to suit just about any occasion

Erik Gustafsson - A House of Clay cobra and a new print issueIn A House of Clay, Gustafsson places his conceptual and contextual photographic process in dialogue with a simple premise, a truism of photography: to elevate the everyday, to find meaning and take seriously the smallest of occurrences in ordinary life, and to invoke a sense of gratitude and wonder toward consciousness, sensing and feeling. Sometimes excessively normal, elsewhere tender and intimate, later dense and complex, Gustafsson's warm slices