Between the Dog and the Wolf (2nd edition)
Joel Meyerowitz Signed I prefer an extreme mess

I prefer an extreme mess of material objects in the city just like the surface of the Jackson Pollock’s painting

My method of the such work with DIA

a corolla on the roadside

How often have you been in your car going somewhere when you suddenly see outside your window some brief

リチャード・レナルディが初めてセルフポートレートを手がけたのは1978年、彼が10歳の頃だった。少年はシカゴ郊外の実家のバスルームで、ラグビーシャツと白いチノパンという出で立ちで腕を組み、静かにカメラを観察する。前歯のあたりで唇をわずかに開き、意を決してためらいがちな笑顔を見せる。タイマーがシャッターを切るのを待つ。その結果、生涯にわたって彼を忙しくさせることになる、自己分析の作業が始まる。

Between the Dog and the Wolf (2nd edition)<br />Joel Meyerowitz Signed I prefer an extreme messThe Dog and the Wolf work came to me, as so many things in photography do, as a simple, momentary observation that penetrated my consciousness and in that flash of recognition expanded to something that seemed to me then, as if it was a real idea! That the idea of pools (the dog) that were by the edge of the sea (the wolf) could be a subject was a real awakening. And then, to find out that the French have a name for the Blue Hour, which they call